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Ast month i had the unique opportunity to visit italy. while traveling the country, i grabbed an opportunity to investigate its education system. big changes are now happening in italy -- including the decentralization of a national education system. an overhaul of the italian government recently took place and a conservative majority is now in office. the political change has prodded a decentralized education system, giving more power and control to the regional and local levels. it was fascinating listening to dr. bove, general directorate of international relations within the ministry of public instruction, discuss the transfer of a strong national, centralized educational system to a decentralized system. we discussed educational issues similar to what we face in the united states. as dr. bove put it, the italian education system is becoming more like the american education system. one area italy is rethinking is its school-to-work programs. like most countries, italy is seeing the demand for lindalyn higher expectations in the kakadelis schoolroom. currently, there are more private upper-secondary schools 24 percent ; , serving ages 15 through 19 in italy, than primary 10 percent ; , and lowersecondary schools 9 percent ; . although school-towork programs have gained a following, especially among some u.s. educational groups, they are dying out in italy and also in the united states. citing a need for more years learning the basics, the italian system has mandated one year and proposed adding another year of upper secondary school to strengthen student's basic skills. when it comes to choice, italian families are still limited. bove explained that italy followed other european systems to develop choice in educational providers. nonetheless, this "choice" is very confined. the same debate of government control versus parental control we see in america is present there. fear tactics about keeping money only in state-run schools reminded me of the same arguments i hear in north carolina. in italy, families are free to choose the kind of school, but not many choices are available. a private school becomes an "equal school" when it meets an extensive list of requirements. there are scholarships or tax breaks for families if their income falls below a certain threshold. charter schools are a new idea and the nation has only one. home schooling is also an option, but rarely seen. controversy in italy has hit particularly hard in the area of teachers. in previous years, teachers were hired by bureaucrats in rome, not by local authorities. teacher strikes are also commonly planned occurrences. the concept of merit pay for actual student achievement is not even discussed. italy was lucky that the "progressive" wholelanguage reading approach never won the nation's appeal, and it shows with only a 2 percent illiteracy rate. even though the literacy rate is very high, unemployment rates are also high. parliament is taking steps to strengthen free-market concepts and reform the government. bove and i started a dialogue that will continue as the country redefines itself under new conservative leadership. bove invited me back to visit schools, and i may have another opportunity next year. whether strong nationally controlled government schools or locally controlled government schools, both have the same flawed thinking. a monopoly stifles the benefit of free-market concepts. as real choice options become more of a reality in the u.s., poorer quality schools will close and better quality will survive. when schools compete, students win. those in america who think a national educational cj system can "fix" problems are in denial and game play poker.
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Used his racket like a shield to protect his body. "i just tried to read it, tried to guess where he was serving, because i didn't have any chance by just waiting and looking and trying to anticipate it, " becker said. "if he serves like that, it's really tough to break him." roddick was a bit anxious about how things would go with connors, who's been pretty much out of the game since retiring in the early 1990s. but roddick uses words like "refreshing" and "invigorating" when discussing connors' effect on him. it's also been a thrill just to spend time with one of the greats of the game, roddick said, including when connors stayed at his house in austin, texas. "maybe it's been a while since he's just been one of the boys, playing pool and poker stars play and hanging out, " said roddick, on track for a semifinal clash with no. 2 rafael nadal, a 6-1, 7-6 3 ; , 6-4 winner over jiri novak. "we'd practice, he'd come home, kick his feet up on my couch, have a beer. it was pretty surreal. i definitely get the sense that he enjoys being back in the locker room and just kidding around." lindsay davenport's pleased to still be kicking at the u.s. open. injuries prevented her from playing at the french open and wimbledon, but she's into the quarterfinals and to play poker texas.
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| Date 17.9.43 a c type & serial halifax mk ii bb309 nf-t unit 138 sqdn raf "c " flight crew f sgt t. miecnick paf - 1st pilot - injured & evaded f o w. wasilewski paf navigator- killed f sgt w zdo paf - flt engr - killed f sgt e.p. kasprzak paf - 2nd pilot- died of burns f sgt w. michalski paf - w op - killed sgt w.s. patlewicz paf - observer - killed sgt r. puchala paf - rear gunner - pow those killed in the crash are buried in slaglille cemetery, alongside the five civilians killed in the farmhouse f s t ecznik escaped to sweden from ringsted hospital, denmark, jan44. sgt r.puchala was interned in camps l6 357, pow no.539. location slagille, denmark cause airborne 1829 16sep43 from tempsford on operation neon 3 to poland. they successfully dropped their load of two agents, six containers and one package on the target at the obraz 108 dz, poland. homebound flying at 200 ft, shot down by a nightfighter, crashing at slaglille 4 km ene soro, denmark. f s miecznik managed to evade and during his debriefing, disclosed that over zealand, with the second pilot, sgt e.kasprzak at the controls, they were attacked by a ju88, which the halifax shot down. the aircraft was damaged and as they were down to 200 feet they were forced to make a crash-landing. unfortunately it crashed into a farmhouse with five people three adults and two children ; in it, setting it on fire. miecznik was thrown out of the bomber breaking his leg and his arm. he, the second pilot and the rear gunner, sgt puchala, were taken to hospital in ringsted. sgt kasprzak died shortly afterwards, but miecznik stayed in hospital until 1nov43 when, from that date, his 'journey was arranged for him'. he arrived back in england, via stockholm, 24jan44. sources references page 90 flights of the forgotten page 309-310 agents by moonlight page 322 bomber command losses 1943 roll of honour website lost bomber website telegram from aa stockholm to air ministry raf tempsford and to play omaha poker or poker stars play.
Focused immersion is used in the model as both an individual predisposition the subject has a tendency to become focused immersed ; , and as an individual response the subject was focused immersed in a particular activity ; . although it might be reasonable to expect that a high focus tendency will correlate to a high focus response, this was not the case in this test, and some possible explanations for this will be discussed in section 5. heightened enjoyment is perhaps most closely associated with a fun response, and allowing a subject to explicitly state their enjoyment of an encounter. although it is not inconceivable that a subject might under- or over-state their enjoyment in contradiction to other factors, the correlation of heightened enjoyment to fun in this study was very close 0.88 * , with a coefficient probability of 0.001 ; . playfulness narrative engagement is sometimes a difficult one for subjects to answer about themselves. playfulness tries to capture the degree to which the feel they played or joined in during the encounter. subjects might find it difficult to quantify this one subject responded to the question "to what extent did you contribute to albert's story?" with "i have no idea, you tell me!" despite the imprecise and subjective nature of the construct it was found to have a strong correlation to the cumulative fun construct 0.89 * , with a coefficient probability of 0.001 ; . intention to re-visit is not used as a construct for fun but is included in a category of output indicators, which could also include learning and socializing skills arising from the encounter. it is expected that fun and intention to revisit will have a high correlation, although it would depend on how the subject perceives the encounter as a demand on their time rather than a one off encounter no matter how much fun it was. in this study the correlation between fun and intention to revisit was 0.69 * , with a coefficient probability of 0.001.
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Where to start? the climbing technique requires good, solid rock for setting bolts; but a dry place is better than a wet one, given choice. after some hesitation and surveying we found that there was really only one place to start, fairly close to the drip. other possibilities were excluded either by the presence of clay, major cracking, or a suspicion correct as later proved ; that we would be heading for a dead end. the bottom belay bolts were set, then the first platform bolt. i set up the platform, took a deep breath, and climbed on to it. the first few bolts are the most exposed to falls, since the ground is too close. by the third bolt i was safe, because if it broke i would not reach the ground when hanging from the second one. i was pleasantly surprised by the speed and flow; it really was like climbing my house faade. having passed the first few bolts and made some minor equipment adjustments, i settled down into a nice rhythm. my audience timed me and could later tell me that my highest speed was a mere five minutes per move-- much faster than we had hoped for. in the old 1994 slides we had seen what looked like a formidable, overhanging skirt of calcite that would have to be passed. when i came up to it, it turned out to be trick of the light or poker stars play.
Master of computer science mcompsc ; university of western australia, 2004 - 2005 studied artificial intelligence, neural networks and mobile & wireless computing. researched applications of evolutionary algorithms and machine learning in games of imperfect information. bsc hons ; computer science first class ; university of kent, 1997 - 2000 a-levels dover grammar school for boys computer science a ; , pure mathematics & statistics b ; , economics b ; , general studies a and play internet poker.
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Cultural elite. and they slavishly toe the modernist line laid down by the critics and the reviewers. an artist who has been given the critics' stamp of approval can unveil a steaming plate full of fresh cow turds at an exhibition, the critics will praise it to the sky as a major new work of art, and the members of the new elite will all be `oohing' and `ahing' and nodding their heads wisely and talking with each other about how much `sensitivity' on the part of the artist is revealed by the way the turds are oozing off the edge of the plate. "joe sixpack would just laugh. he doesn't have any cultural standards to uphold, so he doesn't pay any attention to the critics. but the new elite didn't decide all by itself that the trash being produced in the name of art today is art. the boobs who regard all representational art as `fascist' didn't develop that opinion by themselves. they don't worship ugliness just because they're mentally ill. they worship it because their powers of discrimination really aren't all that much better than joe's-- and because the critics persuaded them that it's smart to worship it, that it's fashionable, that it shows how much cleverer they are than joe and his wife. "the modernist movement was created by the critics-- which is to say, by the mass media. and that's just another way of saying that it was created by the jews." "now, wait a minute, " was oscar's reply. "the jews didn't invent the modernist movement. the tendency was there even in the last century. some of the people involved were obviously sick or badly disturbed, and their art reflected their sickness. others seemed more to be incompetents, who hadn't the talent or self-discipline to produce genuine art, so they ignored all the rules and produced whatever was easy for them. but for the most part the practitioners of modernism weren't jews. picasso wasn't a jew. henry moore wasn't a jew. a majority of the people today who're pouring out confused, meaningless pap and calling it `poetry' or daubing a few splotches of paint here and there on a canvas and calling it `art' are gentiles." "hey, i didn't say that the practitioners of modernism were all jews-- although there are a lot more of them involved in it than their percentage of the general population would warrant. sure, the tendency was always present. there have always been a certain number of lazy and incompetent people-- and emotionally disturbed people-- in every profession. in the past people with good taste simply ignored them. what's happened in this century is that the jews have gained control of our mass media. that's happened concurrently with the growth in importance of the mass media resulting from economic democracy. prior to this century there were no jewish critics or reviewers to speak of. now a majority of them are jews. the ones who aren't follow the jewish line, because they're employed by jews. "not only that, the cultural market is controlled by jews in other ways. you can write any sort of novel or any sort of poetry you want these days. you can even get it published-- if you're willing to pay the publication expenses yourself. but if you want somebody else to publish it for you-- a major publisher, with access to the chain bookstores-- then you'd better tailor your literary creativity to suit what the publishers want. the same thing is true of the graphic and plastic arts. if the gallery owners don't like it, nobody'll see your work, and you'll starve. "the jews have selected out the sick and undisciplined elements from the gentile art world, elements always kept in check by natural forces before, and they have promoted and encouraged them. they have added their own practitioners to these elements. they have shut off the healthy elements from contact with the public to the extent they could. and they have done a pretty good job of persuading a superficially educated class of consumers of art and literature that all the old cultural standards ought to be stood on their heads: that ugliness should be praised and beauty laughed at, that chaos is admirable and order contemptible, that art which reflects the true inner life of their people is `racist' and is not worthy of the respect shown to every piece of alien junk produced by niggers, gooks, or wogs and play poker superstars.
Friday night, the chips go flying at the 2nd annual kyle "hold `em" poker stars play tournament, benefiting the youth programs in kyle. the parade is set for 10: 00am on saturday, october 21, followed by more cookoff judging, live concerts, entertainment for all ages and the king & queen coronation. plan to join us for the entire weekend.
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Hands. a big `thank you' to all involved in the preparation of the event and to all the sponsors. one of the prizes in the raffles was a helicopter flight for two, and a offered a much reduced fare for anyone who turned up at the fraser lakes golf club on the 24th june. 13 of us took up this opportunity with a great flight over hervey bay thanks ryan. it was decided at the june meeting to send out our own `fraser coast' newsletter. received positive reactions and hope more members participate in our social fund raising activities in the future. funky dave is selling raffle tickets at the `red roo' hotel, cnr. alice & adelaide streets, maryborough on friday evenings between 4 & 6pm. to raise money, but needs some help. he comes in from tiaro 30ks away ; to do this. so c'mon you maryborough'ites, surely you can spare a couple of hours once a month to help him out! cheers, helga hi everyone, we are progressing slowly with members starting to get re-involved with rides. our ride to st lawrence turned into a visit to finch hatton show by the few members that turned up. it was decided at the servo about this last minute change. the raffle nights at farview tavern are continuing to be a success with the locals accepting us. the new publican will continue to support us. we had a reasonable turn up for our ride to nebo for our general meeting with 16 bikes turning up including the ring in from dysart the big fella ; . at this meeting ashley schaefer was elected as the ride cocoordinator. this will take a burden off me. some of the money raised for the bugga van has been spent on load plus helper springs which i fitted on saturday 22 july. these should help when the van is carrying a load ie the poker stars play run. as our usual serviceman for the van has closed his business down, i approached mick dunn mechanical in mackay who has offered to carry out servicing of the van labour free of charge with sca to provide parts needed. also as in previous years, we will have rodney's smiling face back behind the wheel of the bugga van on the poker run. he is looking forward to seeing everyone again. i have approached mackay sign centre and they have agreed to supply any new sponsor stickers for the van at no charge as long as they can put their name on the van. i have agreed to this proposal. a&l smash repairs kindly gave me some of their polishing liquid for which i used to try and spruce up the bugga van. upon buying a buffer for myself, i used it with the polish, it went from dull to shiny. we have some rides coming up and i hope to see as many of our mackay members support these events as this is what makes our efforts worthwhile. i hope to see you all on the rides and if not on the poker run. don't forget the 1st august is the cut off for pre-paid tickets. after this date it is each. i have been contacted by beth from gunna go caravan park who has been inspired since our last trip there over 18 months ago. since then she has been collecting donations by selling biros and sausages to raise funds and has phoned me to make arrangements for the mackay sca to make a trip back to her caravan park to be presented with the cheque see ride calendar for details. keep an eye out for our ride calendar for all upcoming rides. dale and how to play poker for.
Death. this is madcap merriment on a grand scale, a modern midsummer's night dreamthat is exciting fun for the whole family. ``the writing is gorgeous. i commend you for using your extraordinary talents to benefit young people thanks for making a retired english teacher feel she has died and gone to heaven.''--joan everhart. also see good morning miss vickers and merry christmas miss vickers. ; .25. royalty, -. ; #10576 ; the invisible man. little theatre. ; comedy. ken hill, based on the novel by h.g. wells. 13 m., 4 f. plus extras with doubling ; . int., ext. this gripping novel has been converted to a music-hall romp that combines tongue-in-cheek humor with poignant tragedy and spectacular magic. in a performance supposedly taking place at the empire in bromley in 1904, the company dramatizes the 'idious 'appenings that shook the bucolic village of iping three years earlier with the sinister griffin arrived swathed in bandages and in a manner distinctly unsociable. the curious villagers search for his origin. when he takes off his bandages to reveal no hands and no head, the comic and malevolent pranks begin. .95. royalty, -, ; #73926 ; the king stag. all groups. ; comic fantasy. carlo gozzi. translated. by carl wildman. 19 m., 3 f. unit set. the best known and most typical of the classic plays written in the commedia del'arte form, this imaginative romp places pantaloon and brighella in a fairytale kingdom with a talking parrot and a mysterious king stag. in the servant of two masters and other italian classics, .95. royalty, -. ; #13026 ; the love of three oranges. farce. sergei prokofiev. translated by albert bermel. 9 m., 7 f. fluid sets. in this surrealist fairy tale a melancholy prince undergoes severe trials to win a princess who has emerged from an oversized orange. in a dozen french farces, .95. royalty, -. ; #14720 ; mardi gras. little theatre. ; farce. henri meilhac and ludovic halevy. translated by norman r. shapiro. 10 m., 5 f. a gangling adolescent's first brush with sex and liquor plays counterpoint to the multiple affairs of a gold-digging demi-mondaine and the passionate protestations of her jilted ex-lover, a man who is weak in the head but strong in the purse after years of exile in chicago. published in a flea in her rear, or ants in her pants and other vintage french farces, .95. royalty, -. ; #15511 ; the piggy bank. little theatre. ; farce. eugene labiche and a. delacour. revised translation by albert bermel 13 or 14 m., 3 or 4 f. int., ext. hailed as one of the funniest satires in the repertory on middle-lass manners, la cagnotte formerly entitled pots of money in english ; concerns a group of rural card cheats who pool their money to go on spending spree in paris. they go afoul of the law when they run up bills they cannot pay. in a dozen french farces, .95. royalty -. ; #18110 ; silas marner. little theatre. ; drama. adapted by geoffrey beevers from the novel by george eliot. 15 m., 8 f. with doubling ; . bare stage w. props. eliot's story of the reclusive miser who is transformed by a young girl is one of the most moving and memorable in victorian literature. this adaptation captures the novel's thirtyyear sweep in a series of telling scenes, each displaying eliot's gifts for humor, insight and simple beauty. the large cast can be trimmed to seven multiple roles and it is possible to keep costumes and props to a minimum. .95. royalty, -. ; #21443 ; tomorrow! little theatre. ; historical meditation. vaclav havel. translated by barbara day. 12 m., 6 f. havel's first play in twenty years had its public premiere anonymously in 1988 as part of a brno theatre project in pre-revolution czechoslovakia. while it recalls the non-traditional way in which events leading to the birth of czechoslovakia in 1918 took place, it also became an unwitting prophecy. its hero is a young politician: the spirit of the 1918 revolution. on its eve, he and his wife are considering both the best tactics for a peaceful revolution and the future of the newly emerging state. his view is complemented by actors reconstructing later events as comedy and documentary and recalling the nightmare of future developments in central europe. in manuscript, .00. royalty, -. ; #22749 ; the caucasian chalk circle. little theatre. ; tragicomedy. bertolt brecht. available in 2 versions: translated by eric bentley and by w.h. auden, james stern and tania stern. 39 m., 14 f., 4 c., chorus, extras. various sets. bentley translation, .95. royalty, -. ; auden, stern and stern translation, .00. royalty, -. ; please specify translator when ordering. bentley translation #304 ; auden stern stern translation #5238 ; the caucasian chalk circle. advanced groups. ; drama. bertolt brecht. adapted by thulani davis from the translation by william r. spiegelberger. 10 m., 8 f., plus extras doubling possible ; . unit set. this daring version of brecht's famous play is set in haiti and its language is the patois of the caribbean peasantry with a french colonial legacy. ``highly imaginative.''--n.y. times. in manuscript, .00. royalty, -. ; #5875 ; drums in the night. little theatre. ; comic drama. bertolt brecht. available in 2 versions: translated by john willett and by frank jones. 9-11 m., 6 f. int. or unit set. brecht's first public success is set against the dramatic backdrop of the 1918 german revolution and tells of a returning veteran who finds his girl has another.
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A. [formerly paragraph a: 1.1 of appendix a] a septic tank is a watertight tank made of steel, concrete or other approved materials in which the settleable solids of sewage settle out and are largely changed into liquids or gases by bacterial decomposition. the remaining residue in the tank is a heavy, black semi-liquid sludge which must be removed from the tank periodically. although the completely digested sludge contains relatively few disease germs, in cleaning the tank it is impossible to remove the digested sludge without removing some undigested material. therefore, it is particularly important that the removed sludge be disposed of in a safe manner. there are commercial service companies that will contract for septic tank cleaning and sludge disposal. such commercial services are controlled by a permit system in accordance with 901 of this part. b. [formerly paragraph a: 1.2 of appendix a] multiple compartment septic tanks or single chamber septic tanks in series provide more effective treatment than single chamber tanks of the same total capacity; therefore, the use of multiple compartment tanks or single tanks in series is encouraged. however, single chamber septic tanks are acceptable. c. [formerly paragraph a: 1.3 of appendix a] the velocity of flow through the tanks must be such that maximum solids and scum retention is achieved. vertical cylindrical tanks must have horizontal inlet-to-outlet ; separation of at least 24 inches. 1. tees or baffles must be used at the inlet. the outlet must be designed so as to preclude floating solids from escaping from the tank. the inlet tee or baffle diverts the incoming sewage toward the bottom of the tank without disturbing the scum which forms on the surface of the liquid, and the outlet prevents the surface scum from flowing out of the tank. d. [formerly paragraph a: 1.4 of appendix a] the minimum total septic tank liquid capacity required is 2 1 times the estimated average daily design flow. sewage loading criteria for determining the average daily design flow and organic loading are contained in chapter 15 of this part. onebedroom residences may, however, utilize a 500 gallon tank and Google.
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